Pablo by Julie Birmant and Clément Oubrerie
Pablo is the latest in the Art Masters Series published by Self Made Hero (a British graphic novel publisher). The earlier two were Vincent and Rembrandt, the former telling the life of Vincent Van Gogh I have written about here before.
The review copy has come at the perfect time, as I just came back from my New York trip, in which I saw tons of Picasso’s works in the Met and MoMA. Prior to that I’ve seen a couple of his paintings and many sketches in London. I haven’t got a chance to go to Picasso museums in Barcelona and Paris. But really looking at his works in New York and knowing there are lots more around the US, I could sense how prolific Picasso was as an artist. The amount of works he produced are staggering.
So for such a prolific artist, who lived a long life (Picasso died at the age of 91 and he’s said to die painting at his death bed), it must be a challenge in itself to pick a period of the great painter’s life to tell. Interestingly, the graphic novel Pablo chooses to tell the story with the framing of a somewhat obscure woman: Fernande Olivier, a bohemian artist who became Pablo’s mistress for 7 years.
Picasso later on would have many other women in his life. Not uncommon among great artists, he would call them his muse, be attracted to a new muse when the current one has run out her course. The timings of the relationships were often overlapped, but they had to accept it nonetheless. Two of former mistresses would kill themselves not long after Picasso died. (These I learned more later after reading the book, from 2015 BBC documentary: Picasso: Love, Sex, and Art — also coincidentally came out at the right time for me. Seems you can watch the full version on youtube.)
However the important point of his relationship with Fernande was that she was the only mistress who was with him before he reached fame and fortune. Knowing that, the framing of this tome of a graphic novel is perfect, because the story told from Fernande’s point of view starts when Pablo Picasso is a newbie painter arriving in Paris from Spain, and revolves around his struggles as a poor artist living in Le Bateau-Lavoir.
This book is 342 pages, and quite heavy. It seems that it was originally published (in its original language French) as 4 smaller books, and they are subtitled: Max Jacob, Apollinaire, Matisse, Picasso. But it’s been published in English by Self Made Hero as one big book with no sections or chapters. The drawings are beautiful throughout and full color. Some of you might remember the style of illustration from Aya de Yopougon — the same artist: Clément Oubrerie.
The problem I had reading the book was finding who is who in this early 1900s Paris setting. In that period there were a mix pot of (now well-known) artists, poets, authors, and Fernande and Picasso met tons and tons people. Some of them I’ve mentioned above: Max Jacob, Apollinaire, Matisse. Gertrude Stein is also one who makes constant appearances. In most cases the book assumes that we should know these side characters / famous people, which is understandable because there can’t be enough time to explain everybody’s back story (there are dozens of them), but I found myself having to Wiki quite often. It’s quite a good crash course though if like me you want to know more about people you feel you have to know more about. Ha!
I do feel sad for Fernande at the end. She sticks with a man when he’s poor and nobody, but is dumped when he reaches success. A story that seems to keep repeating itself throughout history. And for Fernande this is not even her story, but that of the Great Pablo Picasso, she just happens to be there at the beginning. She draws a short straw.
Mee’s rating: 4/5 – a packed graphic novel of an interesting period of Pablo Picasso’s life, beautifully illustrated, but the appearances of many side characters means readers may need to do their own research on the side to know who is who, which can slow down the reading experience
Nutcracker – E.T.A. Hoffmann
I’m going to slip in a short review of Nutcracker by E. T. A. Hoffmann. It’s out of season I know, but this book came to me from its New York publisher by mail a few years ago, and I never managed to read it in December, as it is such a short month with the holidays at the end! So this time I just decided to finish it even after Christmas has passed.
Most of us know about Nutcracker from the famous ballet the story is adapted to (which I knew little about anyway, but after reading I went to see bits of it on youtube). The book was originally written in German in 1816. The version of the book I’m holding (pictured above) was illutrated by Maurice Sendak and first published in 1984, right after the 1983 production of Nutcracker by Pacific Northwest Ballet. Sendak has apparently designed the sets and costumes of the ballet production, which was new information to me, since I only knew Maurice Sendak as a children books illustrator!
The story itself is almost like 19th century version of Toy Story, in which toys come alive when nobody is looking. Except that in this tale the toys come from faraway kingdom, and there are kings and queens, princes and princesses, knights and monsters, and lots of rats.
In the preface, Maurice Sendak talks about how different he found the original story is with the ballet production (which itself had gone through many versions in Europe before it was brought to United States, in which again the ballet went through various versions). Since I have not yet seen the ballet production in person, I don’t know how it is in relation to the original story. It’d be interesting to go back to the book sometime when that happens.
Mee’s rating: 3.5/5 – a classic tale, illustrated by one of the most well loved illustrator, though I found the story to be rather simplistic compared to other children classics that I loved (e.g. Alice, Peter Pan)