Thanks to Simon of Stuck in a Book’s post I was made aware of this delightful 1922 play by A. A. Milne. Bought the ticket just 2 days in advance, and strolled along to Piccadilly Circus Friday after work. This is exactly the kind of time that makes me so grateful and happy to live in London and work in Soho.
I wonder why I didn’t know about the existence of Jermyn Street Theatre before. It is a tiny 70-seaters basement theatre in the middle of Piccadilly Circus and it seems magical that it survives. It was like entering a different world as soon as you step into the theatre. It’s so small that the seats are only 4 rows and the stage is on the same level as the first row, so you can walk around the stage set- and you most probably would, as the toilets are at the back of the stage.
I’ve never seen and read A.A. Milne’s plays – so this is the first for me (I loved Winnie the Pooh series) and I really enjoyed it. Agree with Simon that the cast was just perfect. And having seen many plays in big theatres, I realised how different, how more personal, and how much I enjoyed small theatre. You can actually see people’s faces and expressions, the voices were loud and clear, and in some scenes the actors were literally 2 metres away from me and I could see all the beautiful details of the props. I promised myself to go to small theatres more, and to go back to Jermyn Street Theatre when I see anything of interest.
The plot moved swiftly in The Dover Road – unlike some plays I’ve seen that seemed to take forever to build the first act. A couple find themselves stuck in the middle of the road to Dover (Dover is where you take ferry to France) in a place that could be a hotel, or a private house. It’s quickly revealed that the woman isn’t the man’s wife, and that the host of the house Mr Latimer isn’t going to just let them go on their way easily. He suggests that the couple, Leonard and Anne, stay for a few days to sort of test-drive their future life together, which would give them time and chance to reconsider if the need arises. Soon it’s revealed that Leonard’s wife is also in the house with her beau, experiencing the same formulae, just starting a week earlier.
Since I knew absolutely nothing about the play, the beginning almost seemed like a mystery or horror (a strange house with strange people that seem oddly prepared for the couple’s arrival), while Mr Latimer seemed slightly sinister with his hobby to detain couple in his house until they are “enlightened”. But it’s none of those things, as this is a comedy – and a thoughtful one at that, as it explores the silliness of romantic love and marriage.
The quadruple in conundrum aspect reminded me a little of Oscar Wilde’s play The Importance of Being Earnest I saw last year. After seeing The Dover Road, I’m thinking the abundance of wittiness in Earnest was almost too distracting. Milne doesn’t play too much with words, but it’s equally smart and funny. It did feel more modern (Earnest is almost 30 years older) and that possibly made it more digestible. I have full intention to read this play or Milne’s other plays in the future.
Mee’s rating: 5/5