Fingersmith was a really fun book to read from beginning to the end, though I thought it almost touched the borderline of being “wordy” (being 550 pages). The first twist (probably the biggest too) left me in a state of euphoria, as I got so excited that I did not see it coming at all. I love unpredictable book!
If I have to describe the book in two words, it’d be Lesbian Dickens (stealing that from a goodreads reviewer which I totally agree with). The style of writing is in the style of those novels written by real 19th century writers, but a couple of things gave it away, like the use of swear words (very rare, do not worry) and the fact that there’s lesbian relationship. I don’t think those ever appear in real Victorian novels. But that’s one of the fun things about it I guess! (I knew about the LGBT aspect before I started reading)
If there’s one thing that I did not quite like, it was the ending. It kept me from giving this book a perfect score unfortunately.
(Spoiler ahead, highlight to read)
I just thought the author took the easy way out: Kill all the obstacles! I had a really bad feeling once one of them started dying, and true enough the rest followed.
(end of spoiler)
This book though has set me firm to read more Sarah Waters books (Fingersmith is my first). I am currently looking forward to read either Tipping the Velvet or the Night Watch next. Probably not this year as I try to read just one book per author per year, but we’ll see!
In term of “fun”-ness level, I think it’s comparable with the Woman in White by Wilkie Collins (also comparable in size).
Interesting fact: Fingersmith was beaten by Life of Pi for 2002 Booker Prize, and by Bel Canto (Ann Patchett) for 2002 Orange Prize (it got shortlisted for both prizes that year). I have to agree that Life of Pi is a probably better book, but I read mixed reviews for Bel Canto.
(2002, 548 pp)